The Midpoint Shift: Why Passive Characters Kill Stories
I once slogged through the first half of a novel that started off brilliantly—there was a murder, an eccentric...
I once slogged through the first half of a novel that started off brilliantly—there was a murder, an eccentric...
The first act of a novel is all about disruption—the protagonist’s life is thrown off course, they’re...
Ever open a book’s flap, read one sentence, and think: Okay, I need to see how this ends? That’...
There has been a lot of discussion on the Sudowrite Slack about the cost of progress in words, and it's unfortunately not unusual to see a post from a frustrated new user that'...
Every great story has a moment where the protagonist crosses a threshold—where they step into the unknown and can’...
First chapters are brutal. They have to do everything—hook the reader, establish the protagonist, set up the world, hint...